Stayed home today nursing a migraine. I took Adrian to the bus stop, then came home and fell asleep on the couch until afternoon. I found the crockpot I had been wanting at HEB for less than $20 Monday night, so I tried out my Moroccan Chick Pea Soup recipe in it and it came out great. We had that for dinner tonight, and I have plenty leftover for lunch tomorrow. I'll be utilizing the crockpot quite a bit in the future.
My cousin Tracey is curious about silent film. Film history has always been interesting to me. I've always preferred older movies to the more current ones, mostly for the same reasons I prefer old furniture and old houses: they made them better back then. The characters were more developed, as were the stories. Silent movies I find particularly fascinating because you can see how people lived and dressed up to more than 100 years ago (film history starts in the 1870s). Kino Video has put out a series of DVDs called The Movies Begin. It contains the earliest motion studies from Eadweard Muybridge to the 1903 version of The Great Train Robbery that included footage of an oncoming train that made panicked audiences bolt from their seats; to early comedians like Frenchman Max Linder, who influenced Charlie Chaplin, early animation from Winsor McCay (an adorable dinosaur that surely influenced Walt Disney) to the early experiments of the Lumiere Brothers and Georges Melies' A Trip To The Moon (1902).
My own list of fave silents would include far more European films than American ones, purely for the reason that, in other than comedies, American films were made for the lowest common denominator, much like today. European directors tended to give their audiences more intelligence. And yes, I prefer German Expressionism, but American comedies cannot be beat.
1. The Cabinet of Dr. Caligari (Germany) -R. Wiene - 1919
2. Die Buchse Der Pandora (Germany) - GW Pabst 1928
3. Faust (Germany) - FW Murnau - 1926
4. Steamboat Bill, Jr. - (USA) Buster Keaton 1928
5. Speedy - (USA) - Harold Lloyd 1928
6. Sunrise: A Song of Two Humans - (USA) - FW Murnau 1927
7. Nosferatu - (Germany) - FW Murnau 1922
8. The Gold Rush - (USA) - Charlie Chaplin 1925
9. Flesh and the Devil - (USA) - Clarence Brown 1926
10. The Student of Prague - (Germany) - Henrik Galeen 1926
I included an American film that wasn't a comedy, Flesh and the Devil. This film starred Greta Garbo (in one of her very first American films) and her real-life lover John Gilbert, the George Clooney of the 1920s. Their lust for each other is so apparent, it's a wonder this film got past the censors. If it had been made just 8 years later when the Hays Code was passed in 1934, it wouldn't have been released at all! Hot stuff....
The Student of Prague and Faust are both morality tales: what happens when you sell your soul to the Devil? There's an earlier version of Student, but it stars Paul Wegener, who is most unfortunate looking. I prefer the better acting (and better looking) Conrad Veidt in the later version. Faust's cinematography is spellbinding, especially for such an early film. The whole film is very stylish.
What can one say about Nosferatu? Max Schreck was the most creepy looking SOB in Germany and this role was made for him. This film is a must for Halloween viewing. It really is extremely creepy...
Buster Keaton and Harold Lloyd I find much more entertaining than Chaplin. Bear in mind that these guys didn't use stunt men, which makes their movies all the more amazing to watch. Harold Lloyd had only part of his right hand, due to an explosion during a photo shoot in 1918, but that's him you see hanging from the clock in Safety Last. The bit in Steamboat Bill, Jr. when the house falls down around Keaton is spellbinding.....
So, if you're looking to get into silent movies, I'd recommend starting with the above.....
2 comments:
this is awesome. thanks lisa!
I'll take Lloyd over Keaton and Chaplin put together, by cracky. He's the best there was before the Marx Brothers came along.
Post a Comment